Love and appreciation for the humans involved. James Cameron is amazing. Arnold, always our favorite. Linda Hamilton playing one of the most iconic characters in film. Robert Patrick doing the robot. James Cameron doing everything himself.
VFX and CG and the high shot counts for the time. The expense of CG and the appropriate use thereof. Budgets. Incredible animatronix! The value of high-quality practical FX from the 90s and how they hold up.
Ict hot stuntaz
Motorcycle jumping. Harley’s Fat Boy. Jumping into helicopters.
The Terminator series as a window into our concerns over technology in different decades. Computing miniaturization. Quantum stuff. Read-only Terminator modes, IRQ switching, and ro cassettes.
Terminator models and designs. Possible Billy Idol T-1000, or Kyle Reese-bots. T-1000 shiny grey goo nanite flow robot.
Pork chop sandwiches! Inert gas asphyxiation. Steam barriers, sugar work, and dipping your hand into hot lead.
T2 Stunt Trailer by Peter Kent: YouTube
The Forgotten Art of Blockbuster Cinema by Mike Hill: YouTube
Well, we don’t normally do this sorta thing, but oh man this was so good! What the film is about, how it is about, and why it was so special. Appreciating those who do the best work of making history relatable (coughDan Carlin cough).
Film degradation. Scratching, exposure, shrinkage, physical tearing. The crapshoot that is video frame rates in early 20th century film footage. Crank cameras and gearing and compressed-air constant-framerate cameras. Correcting for all of this and the challenge of bringing it all up to a standard 24 fps.
Film is an illusion
The optical illusion that we perceive as movement on a screen. Persistence of vision. Video framerates and the “refresh rate” of the human eye. Motion interpolation as an offense against art and all things good. Tom Cruise fighting the good fight. Motion interpolation as a really neato technology which is actually really cool when not on by default on new televisions. Motion interpolation in VR or video games.
Historian types and objections to the “enhancements” introduced by the filmmakers. Art vs education and the importance of relatability. Modernizing history. Colorization. 3d-ification. Finding it hard to complain about digital enhancement and remastering which leaves the original materials untouched.
They Shall Not Grow Screenings (Jan/Feb 2019): Fathom Events
They Shall Not Grow Old (Digital pre-order): YouTube | iTunes
“YOU WON’T BELIEVE YOUR EYES!” by Smarter Every Day: YouTube